Ethel Baraona | dpr-barcelona

Architect who develops her professional work linked to a number of technical publications in the architectural field.

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utopias:
Ant Farm, Convention City 1976, 1972, printed 2012. © Ant FarmAnt Farm, Convention City 1976, 1972, printed 2012. © Ant Farm

Ant Farm, Convention City 1976, 1972, printed 2012. © Ant Farm

Radical city In the rooms of Archivio di Stato di Torino, on show from May 30th the city as a space for experimentation of theories expressed by Italian radical architecture. Thanks Fosco! Radical city In the rooms of Archivio di Stato di Torino, on show from May 30th the city as a space for experimentation of theories expressed by Italian radical architecture. Thanks Fosco!
Radical city

In the rooms of Archivio di Stato di Torino, on show from May 30th the city as a space for experimentation of theories expressed by Italian radical architecture.

Thanks Fosco!

SUPERARCHITECTURE

Dominique Rouillard, architecte, professeur à l’école d’architecture Paris-Malaquais et à l’université de Paris I Panthéon-Sorbonne

1953–1973 : la période voit se succéder trois stratégies pour reconstruire une théorie de l’architecture et de la ville sur les décombres de la médiocrité bâtie largement produite par le fonctionnalisme moderne.

Ant Farm, Oceania, Dolphin Embassy Sea Craft, 1976Ant Farm, Oceania, Dolphin Embassy Sea Craft, 1976

Ant Farm, Oceania, Dolphin Embassy Sea Craft, 1976

DES RAISONS DE L’ARCHITECTURE L’architecture comme problème théorique dans la lutte des classes, ouvrage collectif avec Jean Aubert, Arnauld Suger et Hubert Tonka, 72 p., édition Utopie 1er trimestre 1969 DES RAISONS DE L’ARCHITECTURE L’architecture comme problème théorique dans la lutte des classes, ouvrage collectif avec Jean Aubert, Arnauld Suger et Hubert Tonka, 72 p., édition Utopie 1er trimestre 1969 

DES RAISONS DE L’ARCHITECTURE L’architecture comme problème théorique dans la lutte des classes, ouvrage collectif avec Jean Aubert, Arnauld Suger et Hubert Tonka, 72 p., édition Utopie 1er trimestre 1969 

urbain: (via The Utopian Impulse: Buckminster Fuller and the Bay Area) urbain: (via The Utopian Impulse: Buckminster Fuller and the Bay Area)

urbain:

(via The Utopian Impulse: Buckminster Fuller and the Bay Area)

Optical Illusion 1974, Haus Rucker Co. | via angelosays.com + andreasangelidakisOptical Illusion 1974, Haus Rucker Co. | via angelosays.com + andreasangelidakis

Optical Illusion 1974, Haus Rucker Co. | via angelosays.com + andreasangelidakis

Build nothing“…When we mean to build.We first survey the plot, then draw the model.and when we see the figure of the house,then we must rate the cost of the erection;.which if we find outweighs ability,what do we then but draw anew the model.in fewer offices, or at last desist.to build at all…”—William Shakespeare, Henry IV, Act I, 3. From Paper Tigers at DomusBuild nothing“…When we mean to build.We first survey the plot, then draw the model.and when we see the figure of the house,then we must rate the cost of the erection;.which if we find outweighs ability,what do we then but draw anew the model.in fewer offices, or at last desist.to build at all…”—William Shakespeare, Henry IV, Act I, 3. From Paper Tigers at Domus

Build nothing

“…When we mean to build.
We first survey the plot, then draw the model.
and when we see the figure of the house,
then we must rate the cost of the erection;.
which if we find outweighs ability,
what do we then but draw anew the model.
in fewer offices, or at last desist.
to build at all…”
—William Shakespeare, Henry IV, Act I, 3.

From Paper Tigers at Domus

archiveofaffinities: Kiyonori Kikutake, Floating City Project, Hawaii, 1971  archiveofaffinities: Kiyonori Kikutake, Floating City Project, Hawaii, 1971 

archiveofaffinities:

Kiyonori Kikutake, Floating City Project, Hawaii, 1971