Ethel Baraona | dpr-barcelona

Architect who develops her professional work linked to a number of technical publications in the architectural field.

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underground:
The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 
Subterranea | Excavating spaces from the depths of the mind Thanatopsis Underground Information Chambers
via reflektopiaThe human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 
Subterranea | Excavating spaces from the depths of the mind Thanatopsis Underground Information Chambers
via reflektopia

The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 


Subterranea | Excavating spaces from the depths of the mind

Thanatopsis

Underground Information Chambers

via reflektopia

Trashman is a fictional character, a superhero created and drawn by Spain (a.k.a. Manuel Rodriguez) who appeared regularly in underground comix and magazines from 1968 through 1985.

More info: wikipedia + Interview with the author, here.Trashman is a fictional character, a superhero created and drawn by Spain (a.k.a. Manuel Rodriguez) who appeared regularly in underground comix and magazines from 1968 through 1985.

More info: wikipedia + Interview with the author, here.

Trashman is a fictional character, a superhero created and drawn by Spain (a.k.a. Manuel Rodriguez) who appeared regularly in underground comix and magazines from 1968 through 1985.


More info: wikipedia + Interview with the author, here.

When talking about information, the idea of creating an underground space it’s quite understandable: it represent a safer space, with the right temperature and designed to protect our most important data to bepreserved for the future. The project Underground information chambers [mining 01100100 01100001 01110100 01100001] by Eva Papamargariti and Maro Tsagka takes place in the mountain of Penteli, famous for its flawless white marble, which was used to build the Acropolis and other ancient monuments.
From Underground Information Chambers —a protoecology to preserve our most valuable dataWhen talking about information, the idea of creating an underground space it’s quite understandable: it represent a safer space, with the right temperature and designed to protect our most important data to bepreserved for the future. The project Underground information chambers [mining 01100100 01100001 01110100 01100001] by Eva Papamargariti and Maro Tsagka takes place in the mountain of Penteli, famous for its flawless white marble, which was used to build the Acropolis and other ancient monuments.
From Underground Information Chambers —a protoecology to preserve our most valuable data

When talking about information, the idea of creating an underground space it’s quite understandable: it represent a safer space, with the right temperature and designed to protect our most important data to bepreserved for the future. The project Underground information chambers [mining 01100100 01100001 01110100 01100001] by Eva Papamargariti and Maro Tsagka takes place in the mountain of Penteli, famous for its flawless white marble, which was used to build the Acropolis and other ancient monuments.

From Underground Information Chambers —a protoecology to preserve our most valuable data

Writing a post about this. More info in a few hours at dpr-barcelona BLOGWriting a post about this. More info in a few hours at dpr-barcelona BLOG

Writing a post about this. More info in a few hours at dpr-barcelona BLOG

H.Th. Wijdeveld. 15 Miles into the Earth, 1944. NAI Collection, WIJD 470
It cannot be denied that Wijdeveld’s attitude was experimental. Especially in the latter years of his life he concentrated on large-scale, utopian projects in which he was seeking for a new relationship between mankind, nature and culture. He situated this 1944 design for an international geological research centre in a shaft in the earth at a depth of 15 miles.
Source: Collectie Nederlands ArchitectuurinstituutH.Th. Wijdeveld. 15 Miles into the Earth, 1944. NAI Collection, WIJD 470
It cannot be denied that Wijdeveld’s attitude was experimental. Especially in the latter years of his life he concentrated on large-scale, utopian projects in which he was seeking for a new relationship between mankind, nature and culture. He situated this 1944 design for an international geological research centre in a shaft in the earth at a depth of 15 miles.
Source: Collectie Nederlands Architectuurinstituut

H.Th. Wijdeveld. 15 Miles into the Earth, 1944. 
NAI Collection, WIJD 470

It cannot be denied that Wijdeveld’s attitude was experimental. Especially in the latter years of his life he concentrated on large-scale, utopian projects in which he was seeking for a new relationship between mankind, nature and culture. He situated this 1944 design for an international geological research centre in a shaft in the earth at a depth of 15 miles.

Source: Collectie Nederlands Architectuurinstituut


H.Wijdeveld15 Miles into the earth, 1944

via vuotoattivo
H.Wijdeveld15 Miles into the earth, 1944

via vuotoattivo

H.Wijdeveld
15 Miles into the earth, 1944

via vuotoattivo

From Better Homes & Bunkers: The Fallout Shelter for the Nuclear FamilyFrom Better Homes & Bunkers: The Fallout Shelter for the Nuclear Family
Caption: Bomboozled / Pointed Leaf Press
From Better Homes & Bunkers: The Fallout Shelter for the Nuclear Family
Related info: Underground Missile Silos as a HomeCaption: Bomboozled / Pointed Leaf Press
From Better Homes & Bunkers: The Fallout Shelter for the Nuclear Family
Related info: Underground Missile Silos as a Home
pdsmith:

How you may live and travel in the city of 1950
pdsmith:

How you may live and travel in the city of 1950

pdsmith:

How you may live and travel in the city of 1950