Ethel Baraona | dpr-barcelona

Architect who develops her professional work linked to a number of technical publications in the architectural field.

web | dpr-barcelona
blog | dpr-barcelona BLOG
twitter | @ethel_baraona
drawing:

although CNC drawing is well trodden territory, this project carries poetic undertones in the ironic use of a highly specialized and powerful piece of manufacturing machinery to achieve a level of detail and accuracy that the last five centuries of drawing machines could only aspire towards.”

From: CNC historical drawing machine

mananarama:

Todos dicen que Pani era Corbuseriano pero pocos saben que también fue Victor-Grueniano #PRONAF
mananarama:

Todos dicen que Pani era Corbuseriano pero pocos saben que también fue Victor-Grueniano #PRONAF

mananarama:

Todos dicen que Pani era Corbuseriano pero pocos saben que también fue Victor-Grueniano #PRONAF

Brother | Rob Voerman [Dutch, born 1966]Brother | Rob Voerman [Dutch, born 1966]

Brother | Rob Voerman [Dutch, born 1966]

ryanpanos:

Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona
Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture
In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings.
ryanpanos:

Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona
Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture
In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings.

ryanpanos:

Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona

Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture

In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings.

“Was I to believe him in earnest in his intention to penetrate to the centre of this massive globe? Had I been listening to the mad speculations of a lunatic, or to the scientific conclusions of a lofty genius? Where did truth stop? Where did error begin?”- Jules Verne, Journey to the Center of the Earth
Drawing by Rick Gooding
From the post Subterranea | Excavating spaces from the depths of the mind“Was I to believe him in earnest in his intention to penetrate to the centre of this massive globe? Had I been listening to the mad speculations of a lunatic, or to the scientific conclusions of a lofty genius? Where did truth stop? Where did error begin?”- Jules Verne, Journey to the Center of the Earth
Drawing by Rick Gooding
From the post Subterranea | Excavating spaces from the depths of the mind

“Was I to believe him in earnest in his intention to penetrate to the centre of this massive globe? Had I been listening to the mad speculations of a lunatic, or to the scientific conclusions of a lofty genius? Where did truth stop? Where did error begin?”
- Jules Verne, Journey to the Center of the Earth

Drawing by Rick Gooding

From the post Subterranea | Excavating spaces from the depths of the mind

elcontexto:

hand draft coliseum
elcontexto:

hand draft coliseum

elcontexto:

hand draft coliseum