Ethel Baraona | dpr-barcelona

Architect who develops her professional work linked to a number of technical publications in the architectural field.

web | dpr-barcelona
blog | dpr-barcelona BLOG
twitter | @ethel_baraona
Representation:
thepapercity: Love Hotel - Walkway Machine  thepapercity: Love Hotel - Walkway Machine 

thepapercity:

Love Hotel - Walkway Machine 

Article published on Domus 956 with AR interaction [for the first time]

In the current issue of Domus, which is dedicated to the theme of representation, our article “From Line to Hyperreality” surveys contemporary architectural representation, from traditional techniques to the latest innovations and advancements. Integrating the article are a number of images with augmented reality layers, enclosing added information, movement and animations.

To bring the images in the magazine to life, download Aurasma from your App Store or the Android Market. Point your mobile device at the images in the article that are tagged with a smartphone icon to access the extra features.

Build nothing“…When we mean to build.We first survey the plot, then draw the model.and when we see the figure of the house,then we must rate the cost of the erection;.which if we find outweighs ability,what do we then but draw anew the model.in fewer offices, or at last desist.to build at all…”—William Shakespeare, Henry IV, Act I, 3. From Paper Tigers at DomusBuild nothing“…When we mean to build.We first survey the plot, then draw the model.and when we see the figure of the house,then we must rate the cost of the erection;.which if we find outweighs ability,what do we then but draw anew the model.in fewer offices, or at last desist.to build at all…”—William Shakespeare, Henry IV, Act I, 3. From Paper Tigers at Domus

Build nothing

“…When we mean to build.
We first survey the plot, then draw the model.
and when we see the figure of the house,
then we must rate the cost of the erection;.
which if we find outweighs ability,
what do we then but draw anew the model.
in fewer offices, or at last desist.
to build at all…”
—William Shakespeare, Henry IV, Act I, 3.

From Paper Tigers at Domus

Centro Cultural Lafqueche, Pabellón META | OFFICE Kersten Geers David Van Severen [Quaderns #261 contributors] More info: META at Designboom —via quaderns Centro Cultural Lafqueche, Pabellón META | OFFICE Kersten Geers David Van Severen [Quaderns #261 contributors] More info: META at Designboom —via quaderns


Centro Cultural Lafqueche, Pabellón META | OFFICE Kersten Geers David Van Severen [Quaderns #261 contributors]

More info: META at Designboom

—via quaderns

rep·re·sen·ta·tion  n. 1. The act of representing or the state of being represented. 2. Something that represents, as: a. An image or likeness of something. b. An account or statement, as of facts, allegations, or arguments. c. An expostulation; a protest. d. A presentation or production, as of a play. 3. The state or condition of serving as an official delegate, agent, or spokesperson. 4. The right or privilege of being represented by delegates having a voice in a legislative body. 5. A body of legislators that serve on behalf of a constituency. 6. Law A statement of fact made by one party in order to induce another party to enter into a contract. 7. Mathematics A homomorphism from an algebraic system to a similar system of matrices. rep·re·sen·ta·tion  n. 1. The act of representing or the state of being represented. 2. Something that represents, as: a. An image or likeness of something. b. An account or statement, as of facts, allegations, or arguments. c. An expostulation; a protest. d. A presentation or production, as of a play. 3. The state or condition of serving as an official delegate, agent, or spokesperson. 4. The right or privilege of being represented by delegates having a voice in a legislative body. 5. A body of legislators that serve on behalf of a constituency. 6. Law A statement of fact made by one party in order to induce another party to enter into a contract. 7. Mathematics A homomorphism from an algebraic system to a similar system of matrices.

rep·re·sen·ta·tion 

n.

1. The act of representing or the state of being represented.
2. Something that represents, as:
a. An image or likeness of something.
b. An account or statement, as of facts, allegations, or arguments.
c. An expostulation; a protest.
d. A presentation or production, as of a play.
3. The state or condition of serving as an official delegate, agent, or spokesperson.
4. The right or privilege of being represented by delegates having a voice in a legislative body.
5. A body of legislators that serve on behalf of a constituency.
6. Law A statement of fact made by one party in order to induce another party to enter into a contract.
7. Mathematics A homomorphism from an algebraic system to a similar system of matrices.
Brother | Rob Voerman [Dutch, born 1966]Brother | Rob Voerman [Dutch, born 1966]

Brother | Rob Voerman [Dutch, born 1966]

ryanpanos: Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings. ryanpanos: Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings.

ryanpanos:

Subterranea | Excavating spaces from the depths of the mind « dpr-barcelona

Subterranea by Rick Gooding. Courtesy of Woodbury University School of Architecture

In an era of digital representation, Gooding celebrates the precise and beautiful craft of manual drafting. He works without rulers or measuring devices and carefully constructs his drawings using the most basic architectural drafting tools: a straight edge, a 314 pencil, and an eraser and erasing shield. Gooding works exclusively in black and white. The simple palette occasionally produces Escher-esque qualities. Subversive flips of figure/ground and slips in optical logic confuse the readings of these rigorously constructed drawings.